Post #501, Four Years, and I Find Out I Am A Theater Critic!

WOW! Jane Eyre, The Musical, At The Lake Country Playhouse was my 500th Post here on An Intuitive Perspective. WOW! Yeah, I know not all of them are scintillating and insightful commentary on the arts but the Monday Music feature instead…but I hope you are enjoying all of it! And I apparently lost count and missed our 4th Anniversary on March 20, 2024…you do lose track of time when you are having fun. And now, I am a theater critic as well!

So, how did I get here? I retired from my career as a computer programmer in 2018. And back in 2010 I was invited to contribute to someone else’s blog and I enjoyed the writing and comments and such. It was on another topic, not the arts.

And then I had an opportunity to work with the Milwaukee Repertory Theater as part of their Social Media Club. A little social group who were invited by the Rep to attend their performances and then comment on our experiences across social media. And to share and re-share the Rep’s various social media posts. I really took that to heart and wrote some pretty extensive and detailed reports on Facebook that I referred to as a ‘response’. That was a lot of fun and I started doing similar posts around other events.

And then I started to tire of my participation in that other blog but knew that I didn’t necessarily want to stop writing so I started An Intuitive Perspective. And the first thing I did was republish all of my older items from Facebook and then proceed with my new content. And once published, I share the link around a variety of social media including of course Facebook. That’s the bare facts…but how did I become a theater critic?

Well I was writing ‘responses’ to the shows that I was seeing at the Rep and as a long time subscriber at the American Player’s Theatre in Spring Green. And then a dear friend from the Social Media Club, Kimberly Laberge, Artistic Director at Kith & Kin Theatre Collective, invited me out to Hartland to experience the presentation of Cabaret that she was directing at the Lake Country Playhouse. It was an amazing play and an amazing cast and a cozy jewel box theater and I have been invited back again and again and I am in awe of the quality of the plays that they take on and the high level quality of each and every presentations.

And then somehow, I wish I remembered the history here, I also became involved with First Stage, which is a children’s theater in Milwaukee, that presents full blown musicals in the Todd Wehr Theater in the Marcus Performing Arts Center and smaller more serious fare in the Milwaukee Youth Arts Center. The PAC shows blend a cast of adults and young people in shows that will appeal to all ages…and I love them…and I love to watch the reactions of the youngsters in the audience as they experience real theater featuring their peers and their stories. And the other venue generally features the First Stage’s Young Company, high school age actors presenting more complex stories in an in the round black box theater…things like an adaptation of Ibsen’s Enemy of the People or Shakespeare’s Henry IV (part 1). I hope that we see many of these young actors playing at our local adult theaters eventually.

And I have been invited to see any number of other small theater groups put on amazing theater in small theater settings that I didn’t even know existed before now. And I am so grateful for the experience.

Now one thing that I regret. I had started an idea to present posts about smaller art museums around the state and mid-west under the title A Place For A Muse. I have only written two so far. I need to do better.

And what is this bit about being a theater critic? Well, as I said I have always labeled my articles and posts about theater as responses because I hadn’t studied theater or criticism directly. So I didn’t feel confident using the term review. But after attending the Lake Country Player’s presentation of A Rock Sails By, and talking with director James Baker Jr and lead actor in Rock (and Artistic Director of LCP ) Sandra Baker-Renick, I was convinced that what I write is in fact a review…and that is what they will be from now on! So I am a theater critic now, I guess!

So thank you to all who visit here and read my scribblings. And thank you to all of the theater people who have adopted me and allowed me to see your marvelous shows and write about them with abandon. It has been a very rewarding four years…and I hope we can continue!!!

Lake Country Players’ The 25th Annual Putnam County Spelling Bee!

I had heard of The 25th Annual Putnam County Spelling Bee, but I didn’t know the actual story or format. So going in, I wasn’t entirely sure what to expect of the play. What I did expect was a very professional tight presentation of the play by the very professional and skilled Lake Country Players…and I was not disappointed.

Obviously the framework for the story is a countywide spelling bee bringing together the winners of regional or citywide bees in the county…and of course the characters have been written to present us with every stereotypical student that you might anticipate being at the spelling bee. And director Phil Stepanski has cast precisely the right actors here and brought out their quirks precisely as needed to bring the characters to life! And allowing the cast to feel their roles and bring to bear the questioning and awkwardness inherent in adolescent life…even when trying to hide it…but the trick here was finding that place in life when the actors are already young adults playing back to their earlier space in youth.

One of the things I didn’t know originally, and that is, Spelling Bee is a musical. And here too Stepanski and cast nail the feelings and moods of the songs…while maintaining character…and getting the choreography just so. So props to Gwen Ter Haar as music director and Grace Scott as choreographer for their incredible contributions to making the song and dance interludes work so incredibly. And one more ovation for Ter Haar for the incredible costuming of the ensemble…each cast member’s persona and role was easily discernible from their attire. And I must mention the set and props…Clayton R Irwin is credited with set painting…and Nancy Hurd for props. These support areas are always singular and help bring out the atmosphere expected from the text. Another area where LCP excels and always amazes me! And yes, I have been in a gym in a basement.

foreground: Michael Kocken as William Barfee. Photo courtesy of the Lake Country Players

There are nine characters…three adults…and six youthful spelling bee contestants…but there is a twist…more later.

So let’s start with the adults! Rona Lisa Peretti is the number one realtor in the county and is the moderator of the spelling bee…but not because of her business prowess…but because she wants to relive her spelling bee win some years (or is it decades) past. Peretti is brought to poignant life by Jenna Martinez who later effectively does double duty as Olive’s mother in a side bar. And the actual spelling bee arbiter is Douglas Panch who is back after a five year hiatus due to an incident but he’s in a better place now! And Noah Maguire is just perfect as the precise overseer with a quick trigger finger on the bell to spell the doom of a ‘loser’! And Daniel Bingham is Mitch Mahoney…yes he is…a miscreant doing community service by acting as the official comfort counselor, handing out juice boxes, hugs, or handshakes when a contestant suffers the catastrophe of a ringing bell. He also serves as one of the Logainne’s sidebars. Despite his youth, Bingham pulls off both ‘adult’ roles.

foreground: Allison Chicorel as Olive Ostrovsky. Photo courtesy of the Lake Country Players

Allison Chicorel brings us Olive Ostrovsky, whose father is late arriving for the bee, whose mother is in an Ashram in India, and who has made best friends with a dictionary. Chicorel brings us the blend of assurance and indecision and a bit of insecurity that inhabits Olive’s persona. And she is involved with just a bit of late play conflict when she and William Barfee are the last two standing. And William Barfee is the essential nerd in this piece, and Michael Kocken makes it seem like the part was written for him. He has certainly mastered his special spelling talent, the magic foot, until his resolve starts to crack when he realizes he has feelings for Olive in the final round. BTW: it’s pronounced Bar-Fay! Emily Mertens plays Marcy Park, a total overachiever in all ways adolescent and Mertens is able to make us aware of Marcy’s accomplishments quite determinedly. Yes, she knows SIX languages as Mertens beautifully explains in the song I Speak Six Languages! And she has her own sidebar when she decides she needs a harder word to spell and asks Jesus for help…and he appears to her in the person of Clayton R. Irwin! The result isn’t quite what she expected.

And an amazing Thomas Hess inhabits an over the top Leaf Coneybear, a youngster who makes his own clothes in certainly his own style, and is just just out there. He’s in this particular bee because other contestants couldn’t make it because the bee coincided with a bat mitzvah. Hess has the proper energy and lack of inhibition to play the care free Leaf! And another over the top performance…in a kinder and gentler way…is Michelle Delamatter’s depiction of Logainne Schwartzandgrubenniere. Also an over achiever with apparent self confidence on the surface but a bit of self doubt when confronted by here two rather overbearing fathers. Delamatter’s exuberance in the role is contagious. And her ability to shift in focus in her sidebar with Hess and Bingham as her fathers is true to form.

And lastly…I saved Clayton R. Irwin for last. He plays Chip Tolentino as an active teen-ager…socially and athletically and for an awkward moment sexually. Irwin has the aplomb and physical sensibilities to pull this off most effectively. But as one of the songs in the first act explains very clearly, life is pandemonium…and during a musical number as a prop microphone stand started to take a tumble, Irwin reached for it and the stand over reacted and the microphone caught him in an eyebrow and opened a fairly serious cut. But he championed on later as Jesus with a prominent bandage and director Stepanski was able to make subtle scene changes to continue.

One last cast mention: if you go to see Spelling Bee, there are four other cast openings that are filled by young people in attendance. So you could make your stage debut at LCP! You will earn a juice box when you hear the dreaded bell after your own spelling error!

Here is the link with more information on performance dates and times and on how to order tickets. The show runs through October 1, 2023. The show is rated PG-13+ due to some adult content and sexual innuendo. Lake Country Players present their performances at the Lake Country Playhouse in downtown Hartland WI.

Coincidentally THIS showed up in my news feed this morning! What happens to Spelling Bee Champions When They Grow Old?