Milwaukee Rep: Parental Advisory: a breakbeat play

Different Tribe, Different Vibe. I think that’s right, I forgot my notebook Sunday night. Although it was also presented as Different Vibe, Different Tribe, I believe as we fell under the spell of Timeless and The MC. So is that a rhyming couplet? It has the rhyme and matching meter…but is it long enough? Does it have enough syllables? Is it truly a couplet? This is important because there will be a quiz later!

So the Milwaukee Repertory Theater has finally opened their 2023/24 season in the Stiemke Studio with their World Premiere of Idris Goodwin’s Parental Advisory, a breakbeat play. And to put us off our game right up front, we enter the Stiemke by wandering around the back and entering the theater from the west (stage left) rather than the more direct east access from the lobby…and we come into a cozy recording studio/rehearsal space with all of the required electronics plus the requisite Persian carpets and sample posters/LP covers along the wall space and Timeless working his beats machine and turntables.

Marvid Quijada as Timelss, Photo by Michael Brosilow and courtesy of the Milwaukee Repertory Theater

And as The MC enters the scene it would seem at first that we are going to be regaled with a musical driven by rap and hip hop music, but as you will see, we will be happily wrong! First it seems we will be privy to a song development recording session, but as the conversation starts to turn to previously completed but unreleased material, the whole scene fluidly evolves into a concert…which Timeless re-imagines as a ‘salon’…to a couple confrontation…and reconciliation…to some personal histories…to music history…to cultural history…to some fun and wordplay in the studio…to that quiz as the conversation now includes the audience (the fourth wall has really taken a beating in Wisconsin theaters in 2023). So is this about Rap and Hip Hop? Well, yes and no, we do celebrate the fiftieth anniversary of Hip Hop but through the lens of lived experience of black male America and the reaction and over reaction of many others in the nation. So there is some pretty intense and biting commentary here and some of it is very pertinent to our contemporary circumstances.

Marvin Quijada and Amir Abdullah, Photo by Michael Brosilow and courtesy of the Milwaukee Repertory Theater

One key topic is censorship. And I bet you can guess from the play’s title, what we are initially talking about. The movement in the latter part of the 20th Century to label offensive music with the Parental Advisory label. Often unfairly and from someone who lived during the era and had been in the music business just before that period, very, very arbitrarily. And of course that Parental Advisory label which was a advisory label for parents became an imprimatur of sorts for the young audience who needed to be protected.

Which brings us around to directly focus on Timeless and The MC. They are adults now and The MC is a father of young children which leads to a pretty angst filled conversation about personal censorship…when is a child old enough to partake of edgy media content. This gets pretty interesting and I don’t think we ever come to a final decision.

Now, there are some very very funny bits in here too and if you are only somewhat aware of the history and contributions of Hip Hop to music and culture, this will provide a valuable starting point. And you will find out who put the Wu in the Wu-Tang Clan!

Marvin Quijada and Amir Abdullah, Photo by Michael Brosilow and courtesy of the Milwaukee Repertory Theater

Now, The MC is Amir Abdullah and his partner in rhyme (yeah I stole that) is the DJ, Timeless, played by Marvin Quijada. You are immediately at ease with these gentlemen and although you know that this is a play and that they are actors, you totally accept them as a DJ and The MC, as a successful rap team: wholly and without restrictions. And thankfully Scenic Designer Sidney Lynne’s cozy recording studio makes full use of the width of the Stiemke stage space and leaves plenty of room for Abdullah to flow across the room as he raps and as he expounds. And the console that Timeless works, gives Quijada an anchor and a foil to help with his inflections when talking with MC, while also providing musical underpinnings and examples of the topic at hand. Their timing is spot on. Director Kyle Haden got the feel and interplay between the characters, the actors, and the text precisely right!

All three Rep stages are now lit…but if only have time to catch one play this month, this is the one you should see.

Parental Advisory runs through October 29, 2023 and more info and ticket ordering can be found here.

Extra Credit Reading: PROGRAM and PLAYGUIDE.

Marvin Quijada and Amir Abdullah, Photo by Michael Brosilow and courtesy of the Milwaukee Repertory Theater

PSA: Milwaukee Repertory Theater Announces Their 2023/2024 Season!

During a thirty minute streaming event last evening, Milwaukee Rep Artistic Director Mark Clements announced the Rep’s 2023/2024 season. Here is the recording of Mr. Clements presentation and listed just below are the full descriptions from their press release:

To celebrate our 70th Anniversary Season, an extraordinary milestone, we’ve hand-picked a season of exceptional plays including our first World Premiere musical on the mainstage, beloved literary adaptions, the return of Milwaukee Rep favorites and exciting new works.

Energizing moments, empowering stories, passionate performances – with bold theatrical experiences to captivate the heart and stir the soul. Our 2023/24 Season has something for everyone! 

The Quadracci Powerhouse season will open with Run Bambi Run, a new musical about America’s most infamous woman turned American folk hero Lawrencia “Bambi” Bembenek, written by Oscar-winner Eric Simonson (Lombardi) with music by Grammy-nominee Gordon Gano of theViolent Femmes. Following will be the celebrated mystery Dial M for Murder, which inspired Hitchcock’s masterpiece. The new year brings two celebrated adaptations – Louisa May Alcott’s endearing Little Women and Chaim Potok’s The Chosen. Closing the season will be Nina Simone: Four Women, a play with music recalling events that shifted Simone’s career from artist to activist.

The Stackner Cabaret features four blockbuster shows starting with Country Sunshine: The Legendary Ladies of Nashville With Katie Deal, featuring songs from the Queens of country music and Nuncrackers our favorite nuns return to film their first TV special filled with songs and hijinks. Last seen eight years ago, Guys on Ice returns for a special anniversary production as one of our most popular shows ever, followed by Piano Men 2, a smash hit with audiences, in which no two performances are the same as our dueling pianists take requests live! 

The Stiemke Studio features two ground-breaking new works – the World Premiere of Parental Advisory: a breakbeat play from award-winning storyteller Idris Goodwin (HBO’s Def Poetry Jam) and direct from a sold-out Broadway run What the Constitution Means to Me, called “the best and most important new play” by The New York Times.

Subscriptions On Sale Now! Get the BEST Seats at the BEST Price before the individual tickets go on sale to the public. Call 414-224-9490 or visit www.MilwaukeeRep.com/Subscriptions.

And here are the details!

And the one annual event that we all are waiting for:

MKE Rep’s World Premiere of Lloyd Suh’s The Heart Sellers

Like its topic, Lloyd Suh’s Chinese Lady created quite a sensation when it was presented by the Milwaukee Repertory Theater during their 2018/2019 season (my response is here if you care to see it). So expectations were high for The Heart Sellers. Mr. Suh did not disappoint!

House lights go down and we hear a key in the lock and a whirlwind of color and talk bursts into a mid-century modern apartment. Meet Luna as she sheds her parka and makes an attempt to tidy up a bit while an enigmatic figure hovers in the hall just outside the door. Luna eventually coaxes the reticent Jane into her apartment and our story begins.

Photo courtesy of the Milwaukee Repertory Theater. Photo by Michael Brosilow. Nicole Javier and Narea Kang

The Heart Sellers is a phonetic take on the Hart-Celler Act on immigration that allowed Luna and Jane to accompany their husbands to the United States in 1973…as their husbands pursued their medical careers. But Heart Sellers takes on another turn as our play progresses. Luna is from the Philippines and Jane is from South Korea.

Jane isn’t exactly sure how she should react to the boisterous Luna, who finally convinces Jane to relinquish her scarf and parka and get ‘comfortable’ in the apartment. The ladies were aware of each other in the community but hadn’t actually ‘met’ until they each found themselves alone in a supermarket admiring frozen turkeys on Thanksgiving. And at that point Luna invites Jane over!

Photo courtesy of the Milwaukee Repertory Theater. Photo by Michael Brosilow. Narea Kang and Nicole Javier

But they start to find common ground and shared interests and quickly start to feel at ease around each other although certainly some of that is fueled by a generous helping of Lancer’s Rose’. But there is a lot of humor here and it starts of course with getting Jane into the apartment and out of her protective parka…but soon moves to how to cook a Thanksgiving turkey…and there are a hundred quips and gags here plus a just hilarious scene where Jane channels her best Julia Child!

Photo courtesy of the Milwaukee Repertory Theater. Photo by Michael Brosilow. Nicole Javier and Narea Kang

And just as most of us would be curious on first meeting either of these ladies, they are curious about what the other’s ‘real name’ is. And of course each of them have names that were chosen because they would be easy for their new acquaintances in there new communities to pronounce…but they aren’t random…but derived from their given names or nicknames and influenced, in one case, by a favorite celebrity. And here is one of the first instances we have of the sense of loss that immigrants have when moving to a new country and culture…giving up our name. And as the ladies compare notes, we find that there are far more other senses of loss that we can’t even begin to imagine unless we would embark on a similar journey.

And it is very interesting to see ourselves and our culture in the eyes of an outsider. That sense of freshness and curiosity is very telling. And some of it is a lot of fun and some of it is a bit disturbing…but it is all enlightening and Mr. Suh has enveloped it all in a great sense of humor.

As they open up to each other and start to find their comfort levels, it is a bit surprising that Jane, the reticent guest, becomes the more hopeful or comfortable of the pair. Luna, the outgoing vocal character, who appears the positive young woman, can find some pretty dark places to plumb. And it is interesting to experience these differences and it isn’t always clear if these are personal differences or more an indication of their cultural differences. From out point of view, it is difficult to tell, and seems at times to be a bit fluid.

Photo courtesy of the Milwaukee Repertory Theater. Photo by Michael Brosilow. Narea Kang and Nicole Javier

There are a number of metaphors for America throughout the play…Disneyland and K-mart being two. And although we aren’t actually given a location, the parkas and suggesting a visit to the beach was a good idea except it was too cold, we know they aren’t in a warm weather spot. But the radio announcer kinda gives it away…but I am not sure if that is actually scripted or not…so I am not going to continue down this path (btw: Tally Sessions who is playing Dean Martin upstairs in the Stackner Cabaret makes a recorded cameo as the radio announcer).

Director Jennifer Chang did a masterful job of setting the scene, placing the characters, and fueling the interactions between Jane and Luna that certainly puts us in the story…elicits the built in humor…and brings out the quieter introspective moments. Narea Kang finds just the right gestures and postures to introduce us to the shy and stoic Jane and then cleverly evolves into the generous and thoughtful version at play’s end. And I have no idea how Nicole Javier can keep up the pace from whirlwind to introspective observer of life to the deep philosopher that she clearly encompasses.

Photo courtesy of the Milwaukee Repertory Theater. Photo by Michael Brosilow. Nicole Javier and Narea Kang

The set and environment here cleverly duplicate the feel and aura around 1973 America. But I wonder how many non-Boomers will understand all of the nuance from the aforementioned Lancer’s to the gravitational pull of Disco in the post-psychedelica era to the time of Nixon and Marcos or that at one time the only Disney property was Disneyland. Those touchstones help make the play for me as well as the text itself (I recommend reading the play guide linked below)

The play runs 95 minutes without intermission and I was sadly surprised when it came to its end. So to Narea Kang, Nicole Javier, Jennifer Chang, and Lloyd Suh; hands together: THANKS. Hands extended: GIVING!

Extra credit reading: The Play Guide is here and the Play Bill is here!

The Heart Sellers runs in the Milwaukee REpertory Theater’s Stiemke Studio Theater through March 19, 2023. More information and tickets can be ordered here.