Post #501, Four Years, and I Find Out I Am A Theater Critic!

WOW! Jane Eyre, The Musical, At The Lake Country Playhouse was my 500th Post here on An Intuitive Perspective. WOW! Yeah, I know not all of them are scintillating and insightful commentary on the arts but the Monday Music feature instead…but I hope you are enjoying all of it! And I apparently lost count and missed our 4th Anniversary on March 20, 2024…you do lose track of time when you are having fun. And now, I am a theater critic as well!

So, how did I get here? I retired from my career as a computer programmer in 2018. And back in 2010 I was invited to contribute to someone else’s blog and I enjoyed the writing and comments and such. It was on another topic, not the arts.

And then I had an opportunity to work with the Milwaukee Repertory Theater as part of their Social Media Club. A little social group who were invited by the Rep to attend their performances and then comment on our experiences across social media. And to share and re-share the Rep’s various social media posts. I really took that to heart and wrote some pretty extensive and detailed reports on Facebook that I referred to as a ‘response’. That was a lot of fun and I started doing similar posts around other events.

And then I started to tire of my participation in that other blog but knew that I didn’t necessarily want to stop writing so I started An Intuitive Perspective. And the first thing I did was republish all of my older items from Facebook and then proceed with my new content. And once published, I share the link around a variety of social media including of course Facebook. That’s the bare facts…but how did I become a theater critic?

Well I was writing ‘responses’ to the shows that I was seeing at the Rep and as a long time subscriber at the American Player’s Theatre in Spring Green. And then a dear friend from the Social Media Club, Kimberly Laberge, Artistic Director at Kith & Kin Theatre Collective, invited me out to Hartland to experience the presentation of Cabaret that she was directing at the Lake Country Playhouse. It was an amazing play and an amazing cast and a cozy jewel box theater and I have been invited back again and again and I am in awe of the quality of the plays that they take on and the high level quality of each and every presentations.

And then somehow, I wish I remembered the history here, I also became involved with First Stage, which is a children’s theater in Milwaukee, that presents full blown musicals in the Todd Wehr Theater in the Marcus Performing Arts Center and smaller more serious fare in the Milwaukee Youth Arts Center. The PAC shows blend a cast of adults and young people in shows that will appeal to all ages…and I love them…and I love to watch the reactions of the youngsters in the audience as they experience real theater featuring their peers and their stories. And the other venue generally features the First Stage’s Young Company, high school age actors presenting more complex stories in an in the round black box theater…things like an adaptation of Ibsen’s Enemy of the People or Shakespeare’s Henry IV (part 1). I hope that we see many of these young actors playing at our local adult theaters eventually.

And I have been invited to see any number of other small theater groups put on amazing theater in small theater settings that I didn’t even know existed before now. And I am so grateful for the experience.

Now one thing that I regret. I had started an idea to present posts about smaller art museums around the state and mid-west under the title A Place For A Muse. I have only written two so far. I need to do better.

And what is this bit about being a theater critic? Well, as I said I have always labeled my articles and posts about theater as responses because I hadn’t studied theater or criticism directly. So I didn’t feel confident using the term review. But after attending the Lake Country Player’s presentation of A Rock Sails By, and talking with director James Baker Jr and lead actor in Rock (and Artistic Director of LCP ) Sandra Baker-Renick, I was convinced that what I write is in fact a review…and that is what they will be from now on! So I am a theater critic now, I guess!

So thank you to all who visit here and read my scribblings. And thank you to all of the theater people who have adopted me and allowed me to see your marvelous shows and write about them with abandon. It has been a very rewarding four years…and I hope we can continue!!!

PSA: The Milwaukee Repertory Theater Announces Their Movable Feast…I Mean Their 2024/2025 season!

Here’s the link to their webpage outlining the new season (although I am including snippets below) and here is the link to order subscription tickets!!! There are a number of subscription options so read carefully.

Join us for 12 world-class productions, three of which will take will take place off-site while the new Associated Bank Theater Center is under construction. 

For our 2024/25 Season we are excited to offer 12 productions that are sure to entertain and inspire. Discover remarkable performances, soul-shaking rhythms, fresh takes on classics and bold world premieres. This season includes:

  • * A World Premiere musical based off the Pulitzer Prize finalist and Tony-nominated play by Craig Lucas, Prelude to a Kiss: The Musical.
  • * Two World Premiere musicals created by Artistic Director Mark Clements in the Stackner Cabaret – Women of Rock and The Craic.
  • * A Studio Season with the regional premiere of The Coast Starlight direct from Lincoln Center and a bilingual play, Espejos: Clean.
  • * The acclaimed London West End production of The Woman in Black with its stellar British cast
Don’t miss Milwaukee’s favorite holiday tradition, A Christmas Carol celebrating its 49th Anniversary in the historic Pabst Theater with Rep favorite Matt Daniels returning as Ebenezer Scrooge.

and extra credit reading: information on the rebuilding of the Rep spaces and their capital campaign can be found here.

article © 2024 The New World Digs

What the Constitution Means to Me @MKERep

We are all aware of the Milwaukee Repertory’s strength on their main stage with big cast dramas and popular musicals. But I tend to look forward to their offerings in the black box Stiemke Studio hidden away under the grand staircase. The Stiemke brings us edgy dramas, divine comedies, serious contemporary content, and alternative forms of presentation. The Rep’s current Stiemke offering, What the Constitution Means to Me, lives at the nexus of all of those strengths.

Jessie Fisher photo courtesy of the Milwaukee Repertory Theater

Our protagonist, Heidi, steps out front and introduces herself and starts to present us with the backstory of the play. As a teenager she was driven to excel at speaking at American Legion Halls on the US Constitution as part of their oratorical contest in order to win college scholarships. This is a bit autobiographical and the original role was played by Heidi Schreck in many early productions of the play.

Here in Milwaukee, Heidi is played by Jessie Fisher who owns the role and this viewer is completely convinced that Fisher is Heidi and actually lived these experiences. And Fisher moves smoothly from the fifteen year old Heidi to the adult Heidi and brings out all of the questioning and doubts that life presents and how our society and the Constitution have helped or hindered Americans over the centuries.

Jessie Fisher and Will Mobley (center stage) photo courtesy of the Milwaukee Repertory Theater

In opposition to Heidi early on is a strict and seemingly no-nonsense legionnaire played by Will Mobley. The legionnaire is responsible for timing the contestants and keeping them on track and laying out the ground rules for the contestants and the audience. As the story continues, Heidi again breaks theater tradition and introduces the legionnaire as her long time friend Danny who she has recruited to play the part since she trusts him.

Late in the play, the scene shifts from play and exposition to a debate on wither the United States should retain or replace the US Constitution. This requires Danny to reprise his role as timekeeper and rule keeper for the debate. And it also requires a third character, the debater. This role is filled in rotation by three actors from First Stage’s training programs: Maria (Rose) Campbell, Hazel Dye, and Maya O’Day-Biddle. The evening performance I attended was graced with an amazing performance by Rose Campbell.

Will Mobley and Maria (Rose) Campbell (center stage) photo courtesy of the Milwaukee Repertory Theater

Director Laura Braza scores some gold stars here for making this play run so incredibly smoothly and incredibly realistically…it is hard to tell that we aren’t listening to a friend or neighbor relate their life experience.

So, besides the drama and humor surrounding the events in the play, there is a fair amount of history and discussion on culture and politics. And you will learn about any number of prominent Americans and hear snippets of their own speeches and commentary, and you will get some in-depth analysis of the 9th, 13th, and 14th Amendments to the Constitution.

The play runs without intermission and the Rep says about an hour and forty minutes. The night I was there, I think it was closer to two hours. It continues at the Stiemke through March 17, 2024 and you can find ticket information and more details here.

Extra credit reading: Program and Play Guide and the US Constitution

Jessie Fisher and Will Mobley photo courtesy of the Milwaukee Repertory Theater

article © 2024 The New World Digs