Lumberjacks In Love: Shakespeare Meets Vaudeville At The REP!

After the rollicking fun of last season’s presentation of Men On Ice, expectations for the Rep’s next import from Wisconsin’s ‘Great White North’ was highly anticipated. And this presentation of another work from James Kaplan and Fred Alley proves it’s mettle.

Doc Heide, Ryan Cappleman, Joe Picchetti, Eva Nimmer (foreground), Molly Rhode (with string bass), and Chase Stoeger. Photo courtesy of the Milwaukee Rep, photographer is Mark Fronha.

So most of you who are familiar with Shakespeare know that one of his favorite shticks is having characters masquerade as others…and often as members of the opposite sex…often with a fair amount of Elizabethan humor ensuing…and Kaplan and Alley present a bit of that here all in good fun!

Vaudeville? Well, we have four guys at lumber camp in the deep woods. So certainly we are exposed to a slew of slap stick and physical humor with silly jokes and puns. Oh, and there might actually be a Shakespearean reference that draws it’s own share of outright laughter!

Doc Heide, Joe Picchetti, Ryan Cappleman, and Chase Stoeger. Photo courtesy of the Milwaukee Rep, photographer Mark Fronha.

Our four guys in the woods are Dirty Bob, Muskrat, Moonlight, and Minnesota Slim. With nicknames like that we already have a fun way to start out…but they open with a ensemble paean to life as a lumberjack…and the fun starts here immediately.

The lumberjack to watch is Dirty Bob played by Ryan Cappleman. Cappleman’s Dirty Bob is active, agile, and the over the top performer in nearly every scene and the butt of much of the humor…and from what I saw on Sunday night…the audience’s favorite character and actor! Camp leader is Minnesota Slim, who comes off as a very attractive and charismatic soul as played by Joe Picchetti. Doc Heide is Muskrat who celebrates his 60th birthday and is struggling a bit with the aging process…a bit concerning at first…but with a humorous result! And Moonlight is another character who is questioning what he is feeling and not sure where to go with it or how to address it…and Chase Stoeger is the sensitive Moonlight here.

Joe Picchetti, Eva Nimmer, Ryan Cappleman, Doc Heide, and Chase Stoeger. Photo courtesy of the Milwaukee Rep, photographer Mark Fronha.

And then there is a The Kid, Eva Nimmer. The Kid is an orphan who was originally brought to camp by her late father. At first a seemingly support character, The Kid later becomes the pivot point as our story shifts from the ‘joys’ as life as a lumberjack to Lumberjacks In Love. And her nemesis so to speak is Rosemary Rogers, the mail order bride who arrives to marry Minnesota Slim. And Rosemary Rogers is incredibly inhabited by Molly Rhode, who proves to be a very flexible opportunist, but not the exactly one you expect!

And then back to Shakespeare, the final scene is a reunion and personal discovery scene where all’s well that ends well.

Ryan Cappleman, Joe Picchetti, Doc Heide, Eva Nimmer, and Chase Stoeger. Photo courtesy of the Milwaukee Rep, photographer Mark Fronha.

Lumberjacks In Love is driven by exciting toe tapping music that vibrantly ties the back story together. And the cast that director Jeff Herbst has assembled here is obviously having a lot of fun and just as obviously is enjoying working together. That feeling is infectious and the audience clearly feels it too!

Extra Credit Reading: The Program is here.

Lumberjacks In Love runs for about two hours with an intermission and is playing at the Milwaukee Repertory Theater’s Stackner Cabaret. The show just opened and runs through January 12, 2025. Additional information and tickets can be found here.

Chase Stoeger, Joe Picchetti, Doc Heide and Ryan Cappleman. Photo courtesy of the Milwaukee Rep, photographer Mark Fronha.
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Post #501, Four Years, and I Find Out I Am A Theater Critic!

WOW! Jane Eyre, The Musical, At The Lake Country Playhouse was my 500th Post here on An Intuitive Perspective. WOW! Yeah, I know not all of them are scintillating and insightful commentary on the arts but the Monday Music feature instead…but I hope you are enjoying all of it! And I apparently lost count and missed our 4th Anniversary on March 20, 2024…you do lose track of time when you are having fun. And now, I am a theater critic as well!

So, how did I get here? I retired from my career as a computer programmer in 2018. And back in 2010 I was invited to contribute to someone else’s blog and I enjoyed the writing and comments and such. It was on another topic, not the arts.

And then I had an opportunity to work with the Milwaukee Repertory Theater as part of their Social Media Club. A little social group who were invited by the Rep to attend their performances and then comment on our experiences across social media. And to share and re-share the Rep’s various social media posts. I really took that to heart and wrote some pretty extensive and detailed reports on Facebook that I referred to as a ‘response’. That was a lot of fun and I started doing similar posts around other events.

And then I started to tire of my participation in that other blog but knew that I didn’t necessarily want to stop writing so I started An Intuitive Perspective. And the first thing I did was republish all of my older items from Facebook and then proceed with my new content. And once published, I share the link around a variety of social media including of course Facebook. That’s the bare facts…but how did I become a theater critic?

Well I was writing ‘responses’ to the shows that I was seeing at the Rep and as a long time subscriber at the American Player’s Theatre in Spring Green. And then a dear friend from the Social Media Club, Kimberly Laberge, Artistic Director at Kith & Kin Theatre Collective, invited me out to Hartland to experience the presentation of Cabaret that she was directing at the Lake Country Playhouse. It was an amazing play and an amazing cast and a cozy jewel box theater and I have been invited back again and again and I am in awe of the quality of the plays that they take on and the high level quality of each and every presentations.

And then somehow, I wish I remembered the history here, I also became involved with First Stage, which is a children’s theater in Milwaukee, that presents full blown musicals in the Todd Wehr Theater in the Marcus Performing Arts Center and smaller more serious fare in the Milwaukee Youth Arts Center. The PAC shows blend a cast of adults and young people in shows that will appeal to all ages…and I love them…and I love to watch the reactions of the youngsters in the audience as they experience real theater featuring their peers and their stories. And the other venue generally features the First Stage’s Young Company, high school age actors presenting more complex stories in an in the round black box theater…things like an adaptation of Ibsen’s Enemy of the People or Shakespeare’s Henry IV (part 1). I hope that we see many of these young actors playing at our local adult theaters eventually.

And I have been invited to see any number of other small theater groups put on amazing theater in small theater settings that I didn’t even know existed before now. And I am so grateful for the experience.

Now one thing that I regret. I had started an idea to present posts about smaller art museums around the state and mid-west under the title A Place For A Muse. I have only written two so far. I need to do better.

And what is this bit about being a theater critic? Well, as I said I have always labeled my articles and posts about theater as responses because I hadn’t studied theater or criticism directly. So I didn’t feel confident using the term review. But after attending the Lake Country Player’s presentation of A Rock Sails By, and talking with director James Baker Jr and lead actor in Rock (and Artistic Director of LCP ) Sandra Baker-Renick, I was convinced that what I write is in fact a review…and that is what they will be from now on! So I am a theater critic now, I guess!

So thank you to all who visit here and read my scribblings. And thank you to all of the theater people who have adopted me and allowed me to see your marvelous shows and write about them with abandon. It has been a very rewarding four years…and I hope we can continue!!!

PSA: The Milwaukee Repertory Theater Announces Their Movable Feast…I Mean Their 2024/2025 season!

Here’s the link to their webpage outlining the new season (although I am including snippets below) and here is the link to order subscription tickets!!! There are a number of subscription options so read carefully.

Join us for 12 world-class productions, three of which will take will take place off-site while the new Associated Bank Theater Center is under construction. 

For our 2024/25 Season we are excited to offer 12 productions that are sure to entertain and inspire. Discover remarkable performances, soul-shaking rhythms, fresh takes on classics and bold world premieres. This season includes:

  • * A World Premiere musical based off the Pulitzer Prize finalist and Tony-nominated play by Craig Lucas, Prelude to a Kiss: The Musical.
  • * Two World Premiere musicals created by Artistic Director Mark Clements in the Stackner Cabaret – Women of Rock and The Craic.
  • * A Studio Season with the regional premiere of The Coast Starlight direct from Lincoln Center and a bilingual play, Espejos: Clean.
  • * The acclaimed London West End production of The Woman in Black with its stellar British cast
Don’t miss Milwaukee’s favorite holiday tradition, A Christmas Carol celebrating its 49th Anniversary in the historic Pabst Theater with Rep favorite Matt Daniels returning as Ebenezer Scrooge.

and extra credit reading: information on the rebuilding of the Rep spaces and their capital campaign can be found here.

article © 2024 The New World Digs