Red Bull Theater’s Zoom Reading of: Pericles, Prince of Tyre

I have always found Pericles to be the most confusing, most confounding, most difficult, and most troubling of any of the plays attributed to William Shakespeare. It is at once fantastical and absurd and just completely unbelievable even compared to other dramas of the period. And despite the Red Bull Theater‘s mastery at performing readings in Zoom and Kent Gash’s masterful direction, they weren’t able to dissuade me of my opinion.

And they assembled a marvelous cast…again. And all of the principle characters shone through!

But I have to give special note to Grantham Coleman, who plays the title role of Pericles. With the limited environment provided within a Zoom window, we sense and feel all of the various emotions and situations sorely suffered by Pericles. A truly masterpiece of ‘acting’ in this reading format. Bravo! His performance alone was worth overcoming my befuddlement around this play.

For me the other standouts are Callie Holley as Marina, as long suffering as her father, Pericles himself and the multi-roled Jordan Mahome, particularly as Leonine and Lysimachus!

It is not uncommon for large cast plays with a large number of small roles, for an actor to play more than one role. It is confusing enough on a stage when costuming and scenic location provide tells for who is who and where we are. It is far more difficult in a Zoom setting where costuming is at a minimum and there are no scenic changes to provide that bit of extra identifying context. I found it particularly confusing in Pericles…and although Red Bull does its best to label the Zoom windows with a character’s name, they weren’t able to do it as completely here as in the past.

CAST OF CHARACTERS

Gower/Cerimon Michele Shay

Antiochus/Simonides/Boult Timothy D. Stickney

Pericles Grantham Coleman

Philemon/Diana Shirine Babb

Lysimachus/Thaliard/Leonine Jordan Mahome

Helicanus/Pandar Bhavesh Patel

Cleon Craig Wallace

Dionyza Mahira Kakkar

Thaisa Kimberly Chatterjee

Bawd/Lychordia Caroline Clay

Marina Callie Holley

Clown 1 Edward O’Blenis

Clown 2 Anthony Michael Martinez

The reading itself was only available for a limited time as all previous Red Bull Theater readings have been, so as of this writing it is gone. There, however, are other videos available related to this presentation!

And Red Bull Theater is now back for the fall with in person theater, so if you are in the neighborhood, check out their new season! But I hope that doesn’t mean that these readings will come to an end. Being a thousand miles away from their home base, these readings are a remarkable touch base to their remarkable theater.

Red Bull Theater’s Short NEW Play Festival 2021

During the pandemic, Red Bull Theater has been entertaining audiences worldwide with very accomplished Zoom readings of classic plays. Now they are offering an evening of NEW short plays…again via Zoom…and again free to the public but with a request to pay what you can. And again the live readings will occur on a Monday night and the event will be available to stream through the following Friday evening. This makes the entire presentation simply irresistible! And the details?

SHORT NEW PLAY FESTIVAL 2021
An Online Benefit Reading
MONDAY, JULY 12, 2021
7:30 PM EDT | LIVESTREAM

This year’s theme is RESTORATION. The evening will be directed by Margot Bordelon and Timothy Douglas. Nathan Winkelstein is the Festival’s producer.

The 2021 Short New Play Festival: RESTORATION will premiere LIVE at 7:30 PM EDT on Monday, July 12. A recording will be available until 7:00 PM EDT on Friday, July 16 – then it disappears.

Enjoy seven world premieres in one night. This benefit event is the latest installment of our renowned annual new play festival. The evening will bring you works by some of the most exciting writers from across the country, penning classically inspired ten-minute plays. This year’s festival will include a new play by Obie Award winner José Rivera (Marisol) alongside six of today’s up-and-coming playwrights selected through an open submission process: Rosslyn Cornejo, Constance Congdon, George LaVigne, David Lefkowitz, Abigail C. Onwunali, and Charlotte Rahn-Lee.

This year’s theme? RESTORATION.

And the plays??

f This Be Not A Good Play Then The Devil Is In It.

by Connie Congdon

Deep in a night of 1599, on the banks of the Thames, players from one theater, called The Theater (disassembled to escape abusive rent payments), wait for barges to carry their lumber across the river, where they will build another theater, yet to be named.

Echo

by Rosslyn Cornejo

A twist on the Greek myth of Narcissus and Echo. What happens when you’re in love with someone who only loves themself?

The Wolf Tree

by George Lavigne

Just past the turn of the 17th century, Captain Pouch, a revolutionary leader of the Midland revolt in hiding, encounters a simple shepherdess beneath the Wolf Tree. 

Restoration Playhouse

by David Lefkowitz

The artistic director and stage manager of a tiny New York theater face obstacles, post-pandemic.

Jewel

by Abigail C. Onwunali

A modern-day short play written after the character Sidi from Wole Soyinka’s The Lion and the Jewel, this play explores the complexities of what it means to chase after the “American Dream.”

The Misanthrope Breaks His Quarantine

by Charlotte Rahn-Lee

The year is 2023. COVID is over, and everyone has left social isolation and moved on with their lives . . . everyone, that is, except Alceste.

Lunar

by José Rivera

On a cool summer night, five close teenage friends–two Latinos, two Blacks, and one white woman–get together in a rundown basketball court in Brooklyn to watch a total lunar eclipse.  

Tickets are available here…there are some suggested contributions but scroll down to the free button if so inclined. And there will be other chances to contribute to Red Bull Theater before you check out if you want to contribute your own amount!

I am really looking forward to this event and I hope to ‘see you there’!

MISSION

RED BULL THEATER brings rarely seen classic plays to dynamic new life for contemporary audiences. Our work unites a respect for tradition with a modern sensibility.

RED BULL THEATER is named for the rowdy Jacobean playhouse that illegally performed plays in England during the years of Puritan rule, and was the first London theater to reopen after the Restoration. This bold spirit is central to our identity. With the Jacobean plays of Shakespeare and his contemporaries as our cornerstone, Red Bull Theater is New York City’s destination for dynamic performances of great plays that stand the test of time. The company also produces new works that are in conversation with the classics.