The Niceties

This is a reprint of my remarks about ”The Niceties ” at the Milwaukee Repertory Theater presented in their Stiemke Studio theater during the 2019 – 2020 season. This originally appeared on my Facebook timeline October 11, 2019.

The Niceties, in the Milwaukee Rep’s Stiemke Theater, is the most challenging play you are going to see this season. And you will love it. But it’s complicated. And you will be disoriented. Trust Me. Playwright Eleanor Burgess has written a 21st Century drama that confronts contemporary racism in America and delves into how we got here.

The play features exactly two characters, college history Professor Janine Bosko, played by Kate Levy, and history student Zoe Reed, played by Kimber Elayne Sprawl. All of the action occurs in Professor Bosko’s office (and I’ll admit I’ve never seen a campus office quit as nice as this one) on the campus of an elite college. Think Ivy League. Professor Bosko is a white woman and Ms. Reed is a black woman.

Ms. Reed is getting some advice on her American Revolution history paper and everything is going very well when the discussion remains focused on commas, grammar, and spelling. But when the professor questions the Ms. Reed’s thesis and how racism affected the development of the nation after the Revolution, the sparks begin to fly.

I won’t get into the arguments…you really need to experience them for yourselves. But you will agree with some points from both characters. You will certainly disagree with points made by each character. And you will be uncomfortable and some points will hit very close to home. And the play will let you see that. But the play will clearly outline the legacy thinking around the founding of the nation and how new thought and scholarship shows some substantial points missing from our traditional teaching of history.

Kate Levy never for a moment lets you forget that she is a college professor. And Kimber Elayne Sprawl totally inhabits the engaged 19 year old college student, except for just a moment in the second act when Professor Bosco exposes a fact about her personal life and Ms. Reed starts to reassess the situation and their relationship. But only for a moment and then they turn back to their arguments.

Given the roles and story, the major focus is about race in America. But don’t let that be the only issue you see here. There are a number of other, some rather subtle, counterpoints and examples of hierarchies at work. The first is obviously the professor vs. student relationship and who wields the power. And there’s a bit of ageism since the professor is particularly older than her student and she brings that into focus in a fairly inelegant manner. And then there are the questions around class and social rank and elitism and sexuality…and the use of social media as a weapon or defense mechanism (you’ll get to decide).

This is an amazing play that lays out these contemporary social issues and more. I don’t know how Ms. Levy and Ms. Sprawl can maintain the intensity of their roles for the entire play much less the entire run. They do so remarkably well. And are doing it in a set that is essentially a fish bowl since the stage is centered in the Stiemke with seating along both longitudinal sides of the stage.

The Niceties runs through November 3rd and is directed by Annika Boras who did an amazing job putting Ms. Levy and Ms. Sprawl into their roles and facing down the hard edges that this play presents.

West Side Story

This is a reprint of my remarks about ”West Side Story ” at the Milwaukee Repertory Theater presented in their Quadracci Powerhouse main stage theater during the 2019 – 2020 season. This originally appeared on my Facebook timeline September 21, 2019.

The Milwaukee Repertory Theater opened the 2019 -2020 season on their Quadracci Powerhouse main stage with West Side Story. I don’t have to worry about spoiler alerts here…because as the premier American Musical, everyone pretty much knows the story. The current production is directed by the Rep’s Artistic Director, Mark Clements, who has brought musicals in force to the Rep stages.

With West Side Story you are always promised music and you get Leonard Bernstein…you are promised singing and you get the lyrics of Stephen Sondheim….you are promised dancing and you get dancing via Jerome Robbins. And that is all served here with enthusiasm and talent and oh my goodness…what a set!

So…what did I feel are the highlights? Liesl Collazo as Maria was spot on. I thought that her high point was during ‘I Feel Pretty’. Wow. And Jeffrey Kringer as Tony was exactly Tony! He certainly understood what it meant to feel and sing ‘Maria’! Thanks guys, you made this particularly memorable.

The two things that I didn’t expect that made me sit up and take notice? The dancing of Courtney Arango as Anita. She dominated the stage whenever she was dancing. She was smooth as silk and ravishing and dominant all at the same time.  I loved it. And Hope Endrenyl as Anybodys rendition of ‘Somewhere’ was breathtaking. I wasn’t expecting it and it was for me, the best part of the play.

The ensemble dancing was beautiful…fluid. Although in the first act when we meet the gangs…there are a few moments that seemed a little tentative, but that went away very quickly. And once again the Rep did an amazing job with all of the costumes…luscious colors and perfect patterns…and exactly 1950s!

And this had to be the hardest working set and stage crew outside of the Rep’s Christmas Carol Amazing!! And special thanks to the orchestra!!!

It runs until October 27th. If you’ve only seen the movie…get a ticket today!!

2 Pianos, 4 Hands

This is a reprint of my remarks about ” 2 Pianos, 4 Hands ” at the Milwaukee Repertory Theater presented in their Stackner Cabaret during the 2019 – 2020 season. This originally appeared on my Facebook timeline September 9, 2019.

2 Pianos, 4 Hands…a few moments of Victor Borge and a snippet from Ferrante and Teicher plus your favorite classical piano bits and Piano Man…are all features of this opening play in the Milwaukee Repertory’s Stackner Cabaret! Always the cool thing with Stackner performances is the musical skills shown by the actors on top of incredible acting chops.

This piece features just two actors…Joe Kinosian as Ted and Ben Moss as Richard. And they play two aspiring world class classical pianists from age 10 to middle age. So they get to play from age appropriate dialogue and piano skills throughout and just simply nail it. From the physical competitive nature of 10 year olds through the cultural/musical competition of teen to young adulthood. Simply amazing on the face of it.

But there’s more to it than that…the two actors also get to play the various adults who help them achieve their goals or sometimes get in the way. So we see them play off each other as parents or teachers or contest judges. The range of characters and voices and sometimes accents that these actors achieve is simply amazing.

Just looking at the idea of the play, you are ready for plenty of humor. And boy oh boy there is plenty of laugh out loud humor. But I was also surprised at the angst and seriousness that also underlies their quests. So don’t be surprised if there is a tear to two a few moments after a pretty good laugh.

One question got asked in the play that I have always wondered about, having attended a fair number of youth music contests with my musician son…how does a judge keep their sanity when hearing 20 young people play the same piece…one after another…all day long? Yikes!!

Anyway, if you have ever participated in learning to play an instrument or guided a youngster in trying to master an instrument…this is a great play to see. And even not, if you appreciate piano music and coming of age drama/humor…well…have at it.

And don’t forget, after you order your tickets, make reservations and enjoy an absolutely great meal at the Stackner before the play. You won’t be sorry!!

P.S. If you don’t know who Victor Borge or Ferrante and Teicher are, Google them, you are going to love them!