Sister Rosetta Tharpe was a force of nature in the music business throughout the middle of the 20th Century. She is often called the Godmother of Rock And Roll and her influence on jazz and blues and rock musicians in the United States and the United Kingdom is well documented. And you will recognize the source of many rock sounds and tones during Marie And Rosetta, but that is not the focus of the play.
Instead, we will experience the developing relationship between Sister Rosetta Tharpe at the pinnacle of her career as she plucks a young singer/pianist from under the nose of Mahalia Jackson and makes Marie Knight her understudy and accompanist. They will both grow as musicians and will begin a life long friendship.
And there is an intriguing subtext here as well. Both women are devout Christians who are coming from a background of singing in church choirs and being soloists as well. So there is a struggle between being true to their spirituals and choral singing and the world of secular music. Sister Rosetta being older and more in tune with herself and her world has made it work but Marie isn’t yet comfortable where she now finds herself and presents a bit of push back. The resulting discussions provides opportunities for both women to reconsider their ideas and moral guidelines and find new ways to express themselves musically!
So what does that get us? Besides the conversations and exchanges of life being lived, we get an amazing panorama of songs and music from the Sister Rosetta Tharpe songbook. This isn’t quite a musical and not quite a cabaret piece either, but somewhere in between. But Director E. Faye Butler has made sure the music and the personalities are all front and center, every moment.
And as Sister Rosetta Tharpe, we have Bethany Thomas! This is a marvelous bit of casting because Thomas certainly has a voice that dominates just the way Tharpe’s did and an incredible stage presence that certainly illustrates that Tharpe diva persona as well. And it’s a joyous homecoming as Thomas also appeared in the Rep’s Hedwig and the Angry Inch and for me, most notably, Songs For Nobodies. I can’t think of any recent Rep performer who is more suited to play Sister Rosetta Tharpe than Bethany Thomas!
And Alexis J Roston is Marie Knight. Roston plays the younger Knight as a prodigious talent who is self-deprecating in the face of the famous and intimidating Tharpe. But she eventually starts to feel comfortable and slowly accepts her role in secular as well as Gospel music as Tharpe eases her along. There is a sort of big sister little sister relationship developed and at one point Tharpe starts calling her Little Sister. And Roston has every vocal chop needed to play Knight. She fills the stage with song and humor, although not always intentionally, and grows Knight’s stage presence and self confidence neatly and organically as the play progresses.
There are only the two actors and a single dramatic set of a funeral parlor that allows for the drama and the music to seamlessly be performed. Kudos to scenic designer John Culbert for that. And you may not be aware of the stage lighting…it is bright and dramatic for most of the spoken dialogue but will subtlety shift color and intensity to help express the moods for each of the songs performed. Lighting director Jared Gooding knows when to dim the lights. And although Rosetta and Marie are working with a piano and Rosetta a number of guitars, we are actually hearing Morgan E. Stevenson on piano and Benjamin Oglesby-Davis on guitar.
Marie and Rosetta is being performed in the Milwaukee Repertory Theater’s Stiemke Theater. Opening night was October 22, 2024 and it runs through December 15, 2024. Additional information and tickets are available here.
