First Stage’s Rudolph The Red Nose Reindeer, The Musical, Reigns Over The PAC!

Silvia Stoeger in RUDOLPH THE RED-NOSED REINDEERTM: THE
MUSICAL. First Stage, 2024. Photo by Paul Ruffolo.

If you aren’t quite in the holiday spirit as you approach the Marcus Performing Arts Center, you will be by the time you reach the lobby, if like me, you find yourself climbing the stairs to the Todd Wehr Theater among youngsters quietly singing Rudolph the Red Nose Reindeer to themselves…

And once inside, the room was electric until the lights went down and an immediate hush fell over the crowd in anticipation. And it was as near a full house (just a handful of empty seats) as I have ever experienced at the Todd Wehr so this silence from the young crowd here was amazing. This is the magic of First Stage, it engages the young audience in a big way but it entertains the entire family.

We all know the basic Rudolph story from the popular song. But Rudolph the Red Nosed Reindeer, the Musical has more story to tell! And we get some help keeping up with the plot via the narrator, Sam the Snowman, depicted by James Carrington. What a voice! What a presence on stage! Although Rudolph is our focus and hero, this story wouldn’t be as clearly told without Carrington’s portrayal of Sam.

David Flores (center) and cast in RUDOLPH THE RED-NOSED
REINDEERTM: THE MUSICAL. First Stage, 2024. Photo by Paul Ruffolo.

As my long time readers and fans of First stage already know, the large musicals that First Stage presents at the Marcus are anchored by a few adult actors in pivotal roles and then two casts of young actors who rotate from presentation to presentation. So for Rudolph, we have the Silver Cast and the Gold Cast. You can find a complete cast listing here or here so if you know someone acting at First Stage you may want to consult the cast listings before ordering tickets. So, we do have two Rudolphs: Gwen Madson in the Silver Cast and Sylvia Stoeger in the Gold Cast. I saw the Silver Cast perform at the 1 P.M. matinee on December 1st.

So on with our story. We first meet Rudolph shortly after his birth as his mother proudly introduces him to his father Donner. All is joy and happiness until Rudolph’s nose starts to shine bright red. As Donner says, you could even say it glows. But it brings on great consternation between Donner and Santa. Eventually, Donner devises a nose mask to cover his nose. And as he grows, he eventually joins the other young bucks in reindeer games…essentially training under the watchful eye of Coach Comet. You know who that is, right? Well, despite being the longest and most successful flyer amongst the trainees, once his mask falls off, Comet banishes him from any reindeer games.

And just across Santa’s North Pole, the elves are making toys for Christmas. And elves love making toys and are making quick work of their tasks. Well, all except Hermey who doesn’t like making toys, for which he is ridiculed by his elfin peers. Hermey wants to be a dentist and he gets laughed at for that as well.

Zach Thomas Woods (left), Tim Linn (center), and cast in RUDOLPH THE
RED-NOSED REINDEERTM: THE MUSICAL. First Stage, 2024. Photo by Paul Ruffolo.

Feeling ostracized, Hermey and Rudolph run away from their respective groups and team up and leave town. So of course they get lost and get into trouble. And they are threatened by the Bumble, a great snow monster who is able to track them via Rudolph’s nose. They meet Yukon Cornelius, played by adult actor Zach Woods (he also plays Comet). Woods plays a flamboyant over the top unsuccessful prospector looking for silver and gold in the Yukon. The three of them team up to overcome the Bumble and then make their way home.

And everyone back home is missing them and looking for them and they all arrive just in time for Rudolph to save Christmas by leading Santa’s sleigh with his red nose!

Now, be in your best voice because you are going to want to sing along with the cast as they sing Rudolph the Red Nose Reindeer for the grand finale. I mean it, you will be wholly ready to give yourself to the moment.

(left to right) Zach Thomas Woods, Silvia Stoeger, and Maryn Davis in RUDOLPH THE RED-NOSED REINDEERTM: THE MUSICAL. First Stage, 2024. Photo by Paul Ruffolo.

Some very special mentions here. There are a number of actors dressed entirely in white who hide around the set and move the snow banks, ice bergs, and pine trees. But their most important function is to operate and voice the many puppets that populate the North Pole. There is a seal, a pair of owls, another pair of birds, squirrels, a raccoon, and of course the Bumble. But the Bumble is more than life size and inhabited by Timm Linn who controls his eyes and mouth. But the Bumble’s arms are controlled by a pair of actors in white.

And I am guessing the first day of rehearsal for the elves is learning to float around the stage in their special shoes with the long curled toes.

And one last feature of every First Stage play: the talk back afterwords. This is a ten minute feature where the audience members can ask questions about the play or set or costumes or whatever and the cast will take turns answering. This week we learned that the musical is based on the animated film from 1964, that Sam is made out of foam and James Carrington is sitting on a chair attached to the costume’s floor and is wheeled about the stage. And that the choreography back stage…moving on and off stage…and moving to new entrance points is more important than the choreography on stage. So make sure you stay for the talk back.

Rudolph the Red Nose Reindeer, the Musical runs from now through December 29, 2024. But don’t put off getting your tickets, it is a very popular show. Rudolph runs about 75 minutes and there is one intermission. It is recommended for ages 3 to 12, but I think the top age limit is unlimited! Tickets can be ordered here. There are some special days during the run, so check the link here to see what and when.

And Extra Credit Reading: The Digital Playbill!

And in case you need some help: Lyrics for Rudolph the Red Nose Reindeer

Based on the animated television special “Rudolph the Red-Nosed Reindeer” and the stage production directed and conceived by Jeff Frank and First Stage. Directed by Jeff Frank.

J.T. Backes (left) and cast in RUDOLPH THE RED-NOSED REINDEERTM:
THE MUSICAL. First Stage, 2024. Photo by Paul Ruffolo.

First Stage Opens Their New Season With Pete The Cat ~ Meee-ow!

Settling into my seat in the Todd Wehr Theater and seeing the inviting set, wildly painted stage floor, and the spot lights all ready to perform, you can’t help but feel a bit of excitement and anticipation for the new First Stage season. And you could feel it in the crowd as well as the sound of youthful voices eventually drown out the pre-show soundtrack. The young audience was ready for a show, and First Stage delivered.

Are you ready to rock?

This isn’t the first time (and probably not the last time) that this grandfather wasn’t familiar with the character or backstory being enacted on stage. But from experience, I knew that wouldn’t prevent me from getting into the story and enjoying the show. But Pete The Cat is a rock and rollin’ street cat with a little combo behind him consisting of a toad and a platypus. And they love to jam in backyards well into the night, until the cat catcher finally catches up with Pete and sentences him to a week of being a ‘house cat’. And of course neither Pete nor the family who adopts him knows quite what to expect…and that’s where the story and the adventures begin!

Cool Cast: Photos courtesy of First Stage Theater. Photographer: Paul Ruffolo.

Did I forgot to mention that this is a musical. It is a boisterous rollicking musical from beginning to end with song and choreography that absolutely appeals to the 3 to 12 age group that Pete The Cat is recommended for. The youngsters in the audience paid rapt attention to the action and happily bounced up and down in their seats to the music. And even those of an older timbre will find themselves laughing and tapping their toes at the merriment in front of them.

First Stage musicals are usually anchored by an adult actor or two and there are three adult actors in Pete The Cat. A very agile and engaging Ethan Smith plays Pete. He has all of the rock star moves needed to be a jammin’ cat and all of the other cool nuances you’d expect from a loving and devoted cat…well once he gets past the point that he’s now a house cat!

Todd Denning and Ethan Smith as Pete: Photos courtesy of First Stage Theater. Photographer: Paul Ruffolo.

Tori Watson is poetry in motion as she moves from the mother in the Biddle household, to the second grade teacher in Jimmy Biddle’s class, and a roadie!! Watson has a great voice on top of a fluid feel for the choreography that enhances the story and music. And then Todd Denning, a very popular actor at First Stage, plays opposite Watson as the dad, the cat catcher, a roadie, AND a shark! Denning too has a native feel for the choreography and is a smooth and mellow presence as dad!

left to right, back row: Tori Watson and Todd Dening, front row: Jillian Vogedes and Juan Ramon Andrade Escobedo. Photos courtesy of First Stage Theater. Photographer: Paul Ruffolo.

And if you have been following my comments on First Stage over the past few years, you will remember that there are two youth casts for these bigger productions at the Todd Wehr. And Pete The Cat is no different…the casts are the Cool Cast and the Groovy Cast. I saw the Groovy Cast at the Sunday matinee.

Juan Ramon Andrade Escobedo is Jimmy Biddle, a very clean and neat freak and of course a cat in the house violates all of his personal rules. But Escobedo and Watson bond in this work as their characters become best friends…by overcoming some obstacles that Pete has essentially caused. Escobedo really brings home the feeling of frustration when his plans originally go awry but moving to a quick acceptance when he realizes that everyone else has got his back. Well that and the magic sunglasses. His foil here tends to be his sister, Olive Biddle, played by Jillian Vogedes. Vogedes is just full of energy and excitement and for me is just the perfect Olive!

left to right: Ethan Smith, Elliot Lippman, Jillian Vogedes, Juan Ramon Andrade Escobedo, and on drums! Cole Sison. Photos courtesy of First Stage Theater. Photographer: Paul Ruffolo.

Two other characters that help open the story and then solve Jimmy’s little crisis are Grumpy Toad, the drummer in Pete’s combo and played by Cole Sison…and then last but not least, Elliot Lippman as Gus the Playpus, the hard rocking bass player. But again, depending on which day you attend you may experience a different set of youth cast members. But from my experience, you won’t be disappointed!

left to right: Tori Watson, Ethan Smith, Ryan Stepanski, Allyson Lindberg, and Todd Denning. Photos courtesy of First Stage Theater. Photographer: Paul Ruffolo.

This play is recommended for young people from age 3 to 12 and of course everyone older who loves theater. It runs about 55 minutes with no intermission and the music, dancing, action, and story will keep 3 year olds engaged for the whole time…guaranteed! And how director/choreographer Bree Beelow managed to fill all of those shoes and put together such a smooth and fulfilling show is a marvel!

Hey, watch the tail

Pete The Cat runs at the Todd Wehr Theater in the Marcus Performing Arts Center through November 3, 2024. For more information and to order tickets, click here!

Extra Credit Reading: PLAYBILL!

As Mona Lisa, Julia Jordan Schloemer. Photos courtesy of First Stage Theater. Photographer: Paul Ruffolo.

Post #501, Four Years, and I Find Out I Am A Theater Critic!

WOW! Jane Eyre, The Musical, At The Lake Country Playhouse was my 500th Post here on An Intuitive Perspective. WOW! Yeah, I know not all of them are scintillating and insightful commentary on the arts but the Monday Music feature instead…but I hope you are enjoying all of it! And I apparently lost count and missed our 4th Anniversary on March 20, 2024…you do lose track of time when you are having fun. And now, I am a theater critic as well!

So, how did I get here? I retired from my career as a computer programmer in 2018. And back in 2010 I was invited to contribute to someone else’s blog and I enjoyed the writing and comments and such. It was on another topic, not the arts.

And then I had an opportunity to work with the Milwaukee Repertory Theater as part of their Social Media Club. A little social group who were invited by the Rep to attend their performances and then comment on our experiences across social media. And to share and re-share the Rep’s various social media posts. I really took that to heart and wrote some pretty extensive and detailed reports on Facebook that I referred to as a ‘response’. That was a lot of fun and I started doing similar posts around other events.

And then I started to tire of my participation in that other blog but knew that I didn’t necessarily want to stop writing so I started An Intuitive Perspective. And the first thing I did was republish all of my older items from Facebook and then proceed with my new content. And once published, I share the link around a variety of social media including of course Facebook. That’s the bare facts…but how did I become a theater critic?

Well I was writing ‘responses’ to the shows that I was seeing at the Rep and as a long time subscriber at the American Player’s Theatre in Spring Green. And then a dear friend from the Social Media Club, Kimberly Laberge, Artistic Director at Kith & Kin Theatre Collective, invited me out to Hartland to experience the presentation of Cabaret that she was directing at the Lake Country Playhouse. It was an amazing play and an amazing cast and a cozy jewel box theater and I have been invited back again and again and I am in awe of the quality of the plays that they take on and the high level quality of each and every presentations.

And then somehow, I wish I remembered the history here, I also became involved with First Stage, which is a children’s theater in Milwaukee, that presents full blown musicals in the Todd Wehr Theater in the Marcus Performing Arts Center and smaller more serious fare in the Milwaukee Youth Arts Center. The PAC shows blend a cast of adults and young people in shows that will appeal to all ages…and I love them…and I love to watch the reactions of the youngsters in the audience as they experience real theater featuring their peers and their stories. And the other venue generally features the First Stage’s Young Company, high school age actors presenting more complex stories in an in the round black box theater…things like an adaptation of Ibsen’s Enemy of the People or Shakespeare’s Henry IV (part 1). I hope that we see many of these young actors playing at our local adult theaters eventually.

And I have been invited to see any number of other small theater groups put on amazing theater in small theater settings that I didn’t even know existed before now. And I am so grateful for the experience.

Now one thing that I regret. I had started an idea to present posts about smaller art museums around the state and mid-west under the title A Place For A Muse. I have only written two so far. I need to do better.

And what is this bit about being a theater critic? Well, as I said I have always labeled my articles and posts about theater as responses because I hadn’t studied theater or criticism directly. So I didn’t feel confident using the term review. But after attending the Lake Country Player’s presentation of A Rock Sails By, and talking with director James Baker Jr and lead actor in Rock (and Artistic Director of LCP ) Sandra Baker-Renick, I was convinced that what I write is in fact a review…and that is what they will be from now on! So I am a theater critic now, I guess!

So thank you to all who visit here and read my scribblings. And thank you to all of the theater people who have adopted me and allowed me to see your marvelous shows and write about them with abandon. It has been a very rewarding four years…and I hope we can continue!!!