Category: Lake Country Playhouse

editor’s note: my mid-winter vacation prevented me from covering a
couple of things that I normally would have written about. And it also
meant that I didn’t see two important plays until their closing weekend,
The Milwaukee Chamber Theatre’s A Doll’s House and The Lake Country Players’ The Dining Room. So my apologies as you read my responses, these shows have already closed.

Playwright A. R. Gurney’s concept for The Dining Room is simply brilliant. The focus is on a formal dining room set in its formal home setting and tells a multitude of stories around American family, class, mores, culture, and history. From breakfasts to dinners to birthday parties to galas to the center of important conversations…we watch families interact, age, and move on. And characters abound…children to parents to grandparents to siblings to the hired help…we are privy to a cross section of activities enjoyed by upper middle class America in the early to mid 20th Century.

Now these activities sometime overlap as one end of the table will be deep in a post dinner discussion while the maid is setting a breakfast lay out at the other end…and characters overlap on entry and exit and activity in any number of ways through out. This of course creates a major headache for the director…but LCP Director Nancy Hurd made short work of it and presented a flowing ensemble moving freely and earnestly around the dining room(s) in question.

But no, it really wasn’t easy as there are only six in the cast list…three actors and three actresses…who each play nine characters each. And not just once and done, but many re-appear as time goes by or as the events being depicted change. So it is impossible here to pick out one particular actor for kudos or one particular character as a focal point of the action. But the ensemble here made it seem so casual and so easy, it was truly amazing!

And of course this also made headaches for the prop managers, costume staff, and stage manager as each character has to be unique in dress and style, each event had its own china or glassware or silver, and of course the choreography of rearranging the cast and the table/chairs has to be on time and smooth. The LCP made it work so incredibly well that every moment was a precious moment and the play flew by without any apparent effort.

CAST LIST:

ACTOR #1 – Mikael Hager
ACTOR #2 – Noah Maguire
ACTOR #3 – Amy Wickland
ACTRESS #1 – Lindsay Strean Hagood
ACTRESS #2 – Paula Nordwig
ACTRESS #3 – Hannah Craig

Once again, I was impressed and amazed by the quality of the work being done by the Lake Country Playhouse. Don’t miss their future events.

It might seem a little bold, opening your new season at the height of a boisterous presidential election with a political comedy. But in this case you have no fear! The Outsider is non-denominational,…no, no, I mean non-partisan: except that it leans heavily towards the laughs! We are in a small state governor’s office, we don’t know which state. And we never know what particular party any of the characters belong to. But we will recognize the characters and characterizations very very clearly as typical denizens of American politics…and playwright Paul Slade Smith pushes to the limits for all that he is worth.

It is the first day in Governor Ned Newley’s administration. He was the policy wonk Lt. Governor until the incumbent had to resign for a number of sexual peccadilloes. And just hours in, it appears to be a disaster as the socially awkward Newley froze up during his swearing in and the cringe worthy video is making its way around the world via social media and YouTube. And because his staff covered up the former governor’s sins, they have all resigned and Chief of Staff Dave Riley finds himself as the only staffer in Newley’s new administration. And he sets out to rectify that immediately by bringing in pollster and campaign advisor Paige Caldwell and puts in a call to HR for a temp to work reception and answer the phones. And from the very moment that Paige and Dave start their initial discussions, all kinds of comedy hell and sleight of hand breaks loose!

Director Goo has put together a delightful cast just ready to mine the humor in The Outsider. And then Goo has enabled them to completely inhabit their characters as the over the top political stereotypes that Paul Slade Smith has provided. It is so seamless that this is one play where keeping the actor separate from the role is nearly impossible.

Jack Anderson is an astute Dave Riley. He is earnest, honest, and idealistic and becomes the butt of a few jokes. Anderson has the ideal cringe for the cringe worthy episodes and his exasperated pacing, glances, and hand wringing perfectly suit the characters and the scenes. I have met a few young campaign managers and activists, and Anderson has given Dave all of those ‘guys’ a run for their money. Dave clearly believes in Newley and Anderson portrays that loyalty through the rough spots here. But Dave turns the tables at the end and Anderson’s change in persona gives us the perfect I told you so feeling at the end.

Paige Caldwell is a very skilled and competent campaign pollster and Zoe Osk portrays her in an imposing confident style through out. She and Dave have a history that isn’t quite a friends thing but he wants her on board anyway…because, well, as they both agree, she was always right. And she isn’t necessarily right this time, and when a big name campaign manager shows up unbidden, Caldwell gives us Paige’s initial push back and eventual buy in a clearly believable fashion. But Paige isn’t necessarily the by all means hack she first appears to be, and Caldwell brings her humanity and sense of purpose to the fore, eventually. But, she WAS initially one of those having fun at Newley’s expense by sharing the swearing-in video on line.

So who is Governor Newley? Well, for Michael Stickney, he’s a well versed policy wonk one on one with Dave but is a hilariously disheveled mess when confronting his new role or coming upon strangers in his new office. The office draperies are key to some of the humor here. And Stickney is just flat out funny as he morphs from his natural shyness around groups of people to the average guy persona that the consultants think he should become. It makes no sense on the face of it but Stickney sells the shift in character as he ‘struts’ across the stage in his new flannel look and recites a series of non-committal answers to questions. And then he comes alive as he returns as the policy wonk and wins the day!!

Arthur Vance is the campaign manager who swoops in from Washington DC after seeing Newley on social media. Newley is just the candidate he is looking for, someone who doesn’t appear competent for his job. And Peter Brian Kelly has brought on all of the smarm that this character needs. Vance has no compass other than he just wants to win and he is sure that Newly is his ticket. And Kelly just maintains his strut, his composure, his sales technique, and his smooth even as things go askew OR he finds a new opportunity under his nose. And did Costumer Nancy Hurd put him in a perfectly fitting ‘sharkskin’ suit or what?

And Vance arranges a new interview for Newley through a buddy at Channel 3, and they send reporter Rachel Parsons over. And she is played by Jessica Schulz with a sense of unbounded determination and energy that makes her a pleasure to see in action. She too experiences some trepidation about what is happening but is determined to keep her job by doing the job she was given. Schulz gives us that sense of angst without totally surrendering the spunk that her character is meant to exhibit…and also exudes a certain sense of coy around Dave that may or may not be flirting??

And then there is Louise Peaks, the temp that HR sent along to act as the governor’s receptionist, who brags about never having held a job more than one day. And Michele McCawley just runs with Louise: High energy, pure confidence, and a certain swagger despite having absolutely no apparent qualifications for any job whatsoever! In the first act she is pure comic relief and McCawley knows what she’s all about. Overplaying the character is exactly what Peaks requires and that is just what McCawley delivers. There are no pratfalls here but there is a certain physical humor and humor built around mistakes and social miscues. But McCawley brings it all into high gear when she becomes the focus of Act II and LULU takes center stage. At this point Vance gives up on Newley as he’s found his new best worst politician. Shouldn’t say more on that, you need to see it. But McCawley knows her comedy and can play it big and bold and I imagine we’ll see her in more comedies here in the future.

And congrats to the scenic crew on setting us in a wholly believable gubernatorial office!

So, if the contemporary political environment leaves you a bit frustrated, take some time to find the humor in The Outsider and take that edge off!!! The Outsider runs at the Lake Country Playhouse in Hartland WI from now through Oct. 6th, 2024. More information and to order tickets, click here!