Post #501, Four Years, and I Find Out I Am A Theater Critic!

WOW! Jane Eyre, The Musical, At The Lake Country Playhouse was my 500th Post here on An Intuitive Perspective. WOW! Yeah, I know not all of them are scintillating and insightful commentary on the arts but the Monday Music feature instead…but I hope you are enjoying all of it! And I apparently lost count and missed our 4th Anniversary on March 20, 2024…you do lose track of time when you are having fun. And now, I am a theater critic as well!

So, how did I get here? I retired from my career as a computer programmer in 2018. And back in 2010 I was invited to contribute to someone else’s blog and I enjoyed the writing and comments and such. It was on another topic, not the arts.

And then I had an opportunity to work with the Milwaukee Repertory Theater as part of their Social Media Club. A little social group who were invited by the Rep to attend their performances and then comment on our experiences across social media. And to share and re-share the Rep’s various social media posts. I really took that to heart and wrote some pretty extensive and detailed reports on Facebook that I referred to as a ‘response’. That was a lot of fun and I started doing similar posts around other events.

And then I started to tire of my participation in that other blog but knew that I didn’t necessarily want to stop writing so I started An Intuitive Perspective. And the first thing I did was republish all of my older items from Facebook and then proceed with my new content. And once published, I share the link around a variety of social media including of course Facebook. That’s the bare facts…but how did I become a theater critic?

Well I was writing ‘responses’ to the shows that I was seeing at the Rep and as a long time subscriber at the American Player’s Theatre in Spring Green. And then a dear friend from the Social Media Club, Kimberly Laberge, Artistic Director at Kith & Kin Theatre Collective, invited me out to Hartland to experience the presentation of Cabaret that she was directing at the Lake Country Playhouse. It was an amazing play and an amazing cast and a cozy jewel box theater and I have been invited back again and again and I am in awe of the quality of the plays that they take on and the high level quality of each and every presentations.

And then somehow, I wish I remembered the history here, I also became involved with First Stage, which is a children’s theater in Milwaukee, that presents full blown musicals in the Todd Wehr Theater in the Marcus Performing Arts Center and smaller more serious fare in the Milwaukee Youth Arts Center. The PAC shows blend a cast of adults and young people in shows that will appeal to all ages…and I love them…and I love to watch the reactions of the youngsters in the audience as they experience real theater featuring their peers and their stories. And the other venue generally features the First Stage’s Young Company, high school age actors presenting more complex stories in an in the round black box theater…things like an adaptation of Ibsen’s Enemy of the People or Shakespeare’s Henry IV (part 1). I hope that we see many of these young actors playing at our local adult theaters eventually.

And I have been invited to see any number of other small theater groups put on amazing theater in small theater settings that I didn’t even know existed before now. And I am so grateful for the experience.

Now one thing that I regret. I had started an idea to present posts about smaller art museums around the state and mid-west under the title A Place For A Muse. I have only written two so far. I need to do better.

And what is this bit about being a theater critic? Well, as I said I have always labeled my articles and posts about theater as responses because I hadn’t studied theater or criticism directly. So I didn’t feel confident using the term review. But after attending the Lake Country Player’s presentation of A Rock Sails By, and talking with director James Baker Jr and lead actor in Rock (and Artistic Director of LCP ) Sandra Baker-Renick, I was convinced that what I write is in fact a review…and that is what they will be from now on! So I am a theater critic now, I guess!

So thank you to all who visit here and read my scribblings. And thank you to all of the theater people who have adopted me and allowed me to see your marvelous shows and write about them with abandon. It has been a very rewarding four years…and I hope we can continue!!!

Ghostlight Theatre: Green Day’s Musical Based On American Idiot!

Yesterday (Sunday July 23, 2023), I went off on a little adventure. Last week, Ghostlight Theatre invited me to visit them at the Thelma Sadoff Center for the Arts in Fond du Lac as they presented the musical based on Green Day’s American Idiot album. Well I wasn’t familiar with Ghostlight although I had seen them on social media and I wasn’t familiar with the Sadoff Center either…and sadly I probably hadn’t visited Fond du Lac in a decade or more. And although I was aware the American Idiot was a very successful and award winning musical, I hadn’t really taken much notice of it. So I was intrigued and once I confirmed which date worked in my schedule, off I went to Fondy!

full cast : photos provided by Ghostlight Theatre

I really want to talk about Ghostlight’s presentation of American Idiot rather than the musical’s book, so I am just going to allow their press release to fill us in on the background:

The two-time Tony Award-winning hit musical Green Day’s AMERICAN IDIOT, based on the Grammy Award-winning multi-platinum album, boldly takes the American musical where it’s never gone before. This high-octane show includes every song from Green Day’s album, AMERICAN IDIOT, as well as several songs from its follow-up release, 21ST CENTURY BREAKDOWN.

Johnny, Tunny and Will struggle to find meaning in a post-9/11 world. When the three disgruntled men flee the constraints of their hometown for the thrills of city life, their paths are quickly estranged when Tunny enters the armed forces; Will is called back home to attend to family responsibilities, and Johnny’s attention becomes divided by a love interest and a hazardous new friendship. An energy-fueled rock opera, AMERICAN IDIOT, features little dialogue and instead relies on the lyrics from Green Day’s groundbreaking album to tell the story.

But just a side note on the musical itself before we get into the fun: the quote says “features little dialogue” and I did find that a little disconcerting and didn’t always follow the story line via just the songs. Maybe if I was a little more familiar with Green Day’s catalog that might not have been an issue.

photos provided by Ghostlight Theatre

The Sadoff theater space has a beautiful proscenium arch stage with all of the classic plaster decoration common in classic theater settings. But dare say, given the number of cast members and the variety of settings, they needed additional action space. So a thrust stage was added out front with an orchestra pit smack dab in the center where the rock band worked to bring us all of the sounds of the original songs! And around the stage additional small settings gave us bedrooms, family rooms, ladders for emphasis, and a great back wall for projection of various videos that help illustrate the story.

And before I go further: the photos are from rehearsals and don’t do justice to the costuming and makeup that the performers wore during the actual presentation. I don’t have an attribution for the people involved with makeup and costuming but they deserve a lot of credit for putting us in the feel and mood of the era depicted in American Idiot. Bravo!

Editor’s Note 7/25/23: I found out this morning that the cast did their own hair and makeup…which was just amazing…and I am sure that experience added to their understanding and development of their character(s).

photos provided by Ghostlight Theatre

And a big WOW for director Christian Fleming. This would be a big cast to direct in any play, but even more complex in a non-stop musical like American Idiot. From the ensemble opener singing the title song, through any number of ensemble pieces, to duets, and solos, and small song circles, the songs seldom stop except for intermissions…or a few moments of dialogue presented as vlogs or asides by a lead character here or there…so the large stage was a necessity and put to very good use.

And the young cast didn’t miss a beat or a note. How they kept up the pace for essentially two hours (with a brief intermission) is amazing. But they did!! And these songs are NOT simple to sing and can challenge any vocalist’s range, particularly when they are trying to act and move about the stage or participate in the often complex choreography of the ensemble pieces! It was a pleasure to visit a smaller regional theater and find such talent and professionalism on stage! And this is a challenging piece…for anyone to take on…and I enjoyed it immensely.

photos provided by Ghostlight Theatre

And here is the cast list, again stolen from the theater’s press release:

Joe Gallo, Liam Ledford and Danny Slattery play Johnny, Tunny and Will. The cast also includes Lydia Rose Eiche Ross at St. Jimmy; Kendra Krouth as Heather; Betsy Katschke as Extraordinary Girl, and Eulalia Marie Carriveau as Whatsername. Ryan Bartley, Summer Feil, Jazz Leinweber, Alyson Nordstrom and Eugene Strei fill out the cast.

It will interesting to watch to see what Ghostlight Theater will offer next. They obviously have no fear about presenting difficult or challenging plays or musicals. And sometime in the future, I’d like to provide our readers with a bit more background on Ghostlight Theatre and their history!

photos provided by Ghostlight Theatre

Ghostlight Theatre was founded in 2021 and produces 1-2 shows a year. For more information, go to www.facebook.com/ghostlighttheatrecoWI