Milwaukee Rep’s It’s A Wonderful Life “Radio Play” Play

Since its release in 1946, Frank Capra’s movie It’s A Wonderful Life has worked its way into the heart of the American holiday traditions around Christmas. So I imagine nearly everyone present at the Rep’s opening of It’s A Wonderful Life: A Live Radio Play in the Stackner Cabaret is familiar with the story and the palpable excitement in the room is the anticipation on how is the Rep going to present all of the drama, pathos, and visual excitement of the original film on the small stage. For those of you not familiar with the story, never fear, all will be revealed!

Left to Right: David Flores, Daniel Arana, Eva Nimmer, Melinda Parrett, and Wade Elkins. Photo by Mark Frohna and courtesy of the Milwaukee Repertory Theater.

So where should we start…well…let’s start with what we see first, Caroline Dischell’s incredible set. Completely evocative of Radio City Music Hall or the Rockefeller Center of the 1930s and 1940s, Dischell has mined the best of the Art Deco styles from the period with gilt geometric filigrees, seemingly textured and patterned wallpapers, horizontal motifs and lighting fixtures, and of course the classic ON AIR and Applause prompts sign! Welcome to the radio drama studio of WMKE (side note: was there ever a WMKE in Milwaukee? It seems like a natural but I don’t remember one).

And then director Jonathan Hetler starts the play as the house lights flash and the overhead announcer calls the cast to the stage and says that we are 10 minutes to air. And the cast members individually hurry from the back of the house to their places on the stage, waving to friends, making brief comments as they pass by, and greeting each other as old friends do. And at that moment we all magically transform from being members of the Stackner audience into the excited radio studio audience at WMKE.

Left to Right: Eva Nimmer, Wade Elkins, David Flores, Melinda Parrett, and Daniel Arana. Photo by Mark Frohna and courtesy of the Milwaukee Repertory Theater.

One last thing before we get to the drama itself. Bobby Sharon’s costumes, just wow. The cut, the colors, the styles, are just so indicative of the period in my mind. And the hats that characters Sally Applewhite and Lana Sherwood are wearing on entry are to die for.

Places, places, and we count down three, two, one, On Air and David Flores as Freddie Filmore in his role as MC gives us the introductions and we are off and running. This gets complicated very fast because our five intrepid Rep actors play the actors at WMKE who play multiple characters in It’s A Wonderful Life. So if I misidentify a role, my apologies. Flores is a jewel as Filmore, switching from the MC role to Mr. Potter to a number other roles all at the drop of a hat. He is the most engaging actor on stage. Eva Nimmer is Sally Applewhite, and Applewhite’s main role is Mary Bailey, our protagonist’s love interest and eventual wife…but she plays a number of other roles as well. Nimmer very effectively describes the confident and secure and undaunted Mary when she is courting George and then starting the actions that save his day and then playing that same role but the Mary who never knew George Bailey and was depressed, withdrawn, and a bit fearful in her life.

Wade Elkins plays Harry Haywood who gets to play a number of prominent roles including , George’s brother, Harry Bailey. But most importantly Haywood is Clarence, the a bit confused, yet empathic, and well meaning guardian angel sent to help George through his personal trials and failings. Spot on Mr. Elkins! Melinda Parrett is Lana Sherwood…again playing multiple roles…a delightfully saucy Violet in the main story and then moving to a desolate woman in the life without George section. And then she gets to transition to Clarence’s mentor and fills in George’s backstory for Clarence and the studio audience so we understand the measure of the angel and the man, George Bailey. Although a number of actors double as Bailey children, Parrett efforts are really really cute and giggle provoking.

Left to Right: David Flores (rear), Eva Nimmer and Daniel Arana (foreground). Photo by Mark Frohna and courtesy of the Milwaukee Repertory Theater.

Jake Laurents is George Bailey and Jake Laurents is played by Daniel Arana. It is nearly impossible to play George Bailey without sounding a bit like James Stewart. And while Arana isn’t doing Stewart directly, there are hints of Jimmy in his swagger and sway, his vocal timbre, and of course he’s been made up to enhance his slight resemblance to Stewart. Arana is perfect for the role. And he easily moves from the ambitious dreamer to the practical unintended patriarch of the family to the stoic business man to the desperate lost soul we see just before the happy ending.

Wade Elkins. Photo by Mark Frohna and courtesy of the Milwaukee Repertory Theater.

In my mind, an old time radio play would be actors sitting at tables in front of microphones with foley sound effect masters at one end and the musicians at the other. But that’s just for the radio…here we have a play…so it feels more like a staged reading as the players move front to center to stage left or right to interact as they recite their dialogue. And the actors all take turns playing the accompaniment on the piano and perform the sound effects…from police whistles to clomping feet to chimes to balloon pops to uncounted door slams! Part of the humor inherent in Hetler’s staging is the over the top actions employed when the actors are creating the various sound effects. Voila. But I fear for the longevity of the two front and center microphones as they are repeatedly adjusted up and down to accommodate the varied height of the cast.

Yes there is a happy ending as nurture and friendship wins out over greed and avarice and love once again conquers all.

And I almost forgot to mention that there are ads within the radio broadcast of our play within the play. They are ingenious and refer back to the movie and to the city of WMKE!

It’s A Wonderful Life: A Live Radio Play will be presented by the Milwaukee Rep in their Stackner Cabaret Theater until December 21, 2025. Ticket information here!

Running Time: Approximately 1 hour and 40 minutes with no intermission. Recommended Age: 10 and up

Extra Credit Reading: The Playbill!

Milwaukee Repertory Theater: Flooding Update – Our Wauwatosa Production Facility

From our email this morning:

Dear Friends,

This past weekend, record-breaking rainfall caused severe flooding across Greater Milwaukee, impacting many individuals and businesses—including Milwaukee Rep.

Our new 30,000-square-foot production facility in Wauwatosa suffered extensive damage, with floodwaters reaching up to four feet and forceful enough to blow out several loading dock doors. We estimate the damage at nearly $5 million. The facility housed essential tools for building sets and props, significant lighting and sound equipment, costume storage, and numerous other items.

Thankfully, the Associated Bank Theater Center—scheduled to open in just nine weeks—was unaffected by the flooding. Our teams have already identified potential locations for a temporary production shop so we can build sets for upcoming shows and launch the 2025/26 Season without delay.

Many of you have reached out after seeing news items to ask “how can I help.” Truly the best way to help Milwaukee Rep in this moment is to join us as an audience member in our upcoming season. Buying a ticket today helps us turn this challenging moment into a season of celebration for our whole community while directly supporting our artists and staff. Learn more about the 2025/26 Season here.

Thank you for your continued support.

With deep gratitude,

Chad Bauman
Ellen & Joe Checota
Executive Director

Mark Clements
Artistic Director

Jason Robert Brown’s The Last Five Years at the MKERep’s Stackner Cabaret

Jason Robert Brown’s The Last Five Years is a story told by a tour de force of fourteen ballads sung by Cathy and Jamie, and no spoilers here since this comes from the Rep’s website: it is a story of falling in and then out of love…with Jamie telling their story in chronological order while Cathy starts at the finish and brings us to the glorious start.

Asher Muldoon and Grace Bobber. Photo by Michael Brosilow and courtesy of the Milwaukee Rep.

Brown is known for a number of full scale musicals including Parade and Bridges of Madison County and is in full love ballad mode here giving Cathy and Jamie a full range of emotions.

Grace Bobber is an enthusiastic and enthralling Cathy and throws herself into the character. And Brown has given her a number signature songs to use to work through her excitement and her dejection. On the other side of the piano shall we say, is Jamie as played by Asher Muldoon. Jamie is a bit more laid back most of the time and Muldoon covers all of the nuance between lover, creative writer, and practical businessman. A far more reserved character than we see in Cathy. In what would appear to be a love affair of substance, Brown has written around the edges and after a while I started to wonder why this couple was together and the inevitable became the inevitable. I just never felt that there was a real connection between them.

Grace Bobber and Asher Muldoon. Photo by Michael Brosilow and courtesy of the Milwaukee Rep.

Now, although we have an elaborate story here there is nearly no conversation. The entire story is told through Brown’s poetry and music, which presents an interesting problem for the director. How do you move the action and actor who is deep in story telling mode out front and center while keeping the play moving. Well, both Bobber and Muldoon are accomplished pianists, and director Kelley Faulkner deftly moves one or the other behind the keyboard as the principal story teller moves out front. And all of this is helped by the simple yet elegant stage setting with a central piano backed by an arc of stelae with abstract patterns. And of course, Faulkner also sets the changes in tone and time with some simple and quick costume ‘changes’ and instrumentation changes as Cathy and Jamie move from piano to guitars…and the music is stitched together by the efforts of Scott Cook, just off stage left, playing a subdued but key cello.

And this was an audience favorite…a very spontaneous standing ovation capped the evening!

Asher Muldoon and Grace Bobber. Photo by Michael Brosilow and courtesy of the Milwaukee Rep.

The Last Five Years runs in the Milwaukee Repertory Theater’s Stackner Cabaret from now until May 18, 2025. More information and tickets can be found here! And make an evening of it and make reservations for dinner as well. You won’t be sorry.

Extra credit reading: The Program

Grace Bobber and Asher Muldoon. Photo by Michael Brosilow and courtesy of the Milwaukee Rep.